There are a lot of famous curses out there. There’s “The Curse of the Hope Diamond” that
has been attributed to the fact that virtually every person who ever owned that
particular piece of jewelry wound up losing their head…literally. There’s the “Kennedy Curse” that supposedly
began when JFK was assassinated in 1963 and continues today with the recent
suicide of Mary Kennedy. In sports,
there’s “The Curse of the Bambino” (which was broken in 2004 when the Red Sox
finally won another World Series), “The Curse of the Billy Goat” (which may be
broken this year) and the more recent “Madden Curse” (which continues to
plague a different NFL player every year).
There are musical curses, too. There’s the “Buddy Holly Curse”, which is
cited by many as being the cause of the deaths of at least a half dozen
musicians and other people connected to Holly.
There’s also the “27 Curse”, which refers to the fact that such artists
as Jimi Hendrix, Janis Joplin, Brian Jones, Kurt Cobain and Amy Winehouse all
died at the age of 27. The most famous
of them all, though, is probably the “Robert Johnson Curse”. Of course, that’s the one that involves
Johnson meeting The Devil at a crossroads and trading his soul away for sweet
guitar-playing chops.
However, this isn’t about any of them. This is about a lesser-known curse – one to
which I was a witness…but I’m getting ahead of myself.
When I was a kid, there was no internet. I didn’t have Facebook and Wikipedia and a
million other websites that I could use to access all of the knowledge known to
man. If I wanted to hear a song I didn’t
own, I waited for it to come on the radio.
If I wanted to see a music video, I waited for it to come on MTV. If I wanted to know the lyrics to a current
song, I waited for it to appear in “Song Hits” magazine. And, if I wanted to know the story behind the
songs, I waited for an interview in “Rolling Stone” magazine…or on “Hitline
U.S.A.”, a syndicated radio show that spotlighted a different rock star each
week. It came on every Sunday night at
10:00 p.m. on WOKI-FM 100.3 in Knoxville, TN.
I never missed it.
It was January 14, 1990 and the guest was Richard
Marx. I was stoked. I tuned in and patiently awaited his stories
about the early years & the recording of his (then current) album “Repeat
Offender”, as well as hints of what was to come.
Things started out innocently enough with Richard declaring, “I’m very
self-critical, but I’m not nearly as critical of me as some other people – like
our co-host Adam Curry.” Marx went on to
explain how a friend of his had heard Curry insult him on MTV, comparing an
incident during which he trashed his tour bus while being delayed at the
Canadian border with “Doogie Howser going on a homicidal shooting spree.”
Marx recounted how, at a later MTV taping, he had
confronted Curry, who denied making the comment. Marx didn’t believe him, though, and was able
to acquire a tape from the network which proved that the statement had, indeed,
been made. Marx then said
matter-of-factly (on LIVE radio, mind you), “So, Adam, you lying scumbag, I
don’t want to hear your voice for the rest of this interview.” He went on to say how Adam had a “hairdo like
Mrs. Howell from “Gilligan’s Island”.
Now, even though I was a HUGE Richard Marx fan and didn’t
really have strong feelings about Adam Curry one way or the other, I thought
that was a little like the pot calling the kettle black. I mean, have you ever seen pictures of Richard
Marx’s hair circa 1990? It was a helluva
thing.
Curry tried to smooth things over saying, “Hopefully, we
can refrain from all the personal differences.
I don’t think this is either the time or the place to discuss it. Although…”
“Adam, you jerk, I don’t even want to hear your voice!”
Marx interrupted. “You’re just a mousse
endorsement!”
Again, look in the mirror, Richard. I’m just saying.
Luckily for everyone involved, they weren’t actually in
the same studio. Therefore, no punches
were thrown – just one insult after another.
Adam seemed to restrain himself in the interest of professionalism, I
suppose, jabbing Marx one last time when he said, “Remember, I’m on MTV every
single day…and you’re not.” The two
agreed to compare careers in 5 years and then Richard stormed out.
I was in shock. It
was one of the most awkward and bizarre things I had ever heard on the
radio. How cool that I was in the right
place at the right time and heard it all.
But, “What’s the curse?” you ask. Well, in 1990, Richard Marx was one of the
most successful rock stars in the world.
He was on an incredible run that had begun 3 years earlier when he released
his debut album. During the period from
1987 thru 1990, he had 7 top five hits, three of which had made it all the way
to number one. His current (at the time)
single was “Too Late to Say Goodbye”.
It just happened to be his first to miss the top ten,
stalling out at number twelve. His next
single, “Children of the Night”, would peak at number thirteen. Over the next four years, Marx would only hit
the Top 40 five more times and only two of those would reach the top 10. His last hit was in 1994, one year before he
and Adam Curry were supposed to compare careers.
Coincidentally, 1994 was also the year that Adam Curry
quit MTV declaring that he could no longer play Winger videos when the internet
was happening. Of course, nobody knew
what the hell he was talking about at the time.
He would go on to host a number of podcasts, earning the nickname “The
Podfather”. By and large, though, he,
like Marx, would essentially disappear from the face of the Earth…four years
after the “Hitline U.S.A.” incident.
All that being said, a number of questions still
remain: Did Adam Curry really put a curse
on Richard Marx? If so, did he
accidentally get some on himself? Did
the two of them actually ever compare careers in 1995? Will Richard Marx hire Theo Epstein as his new manager? Does anybody really give a shit? I don’t have the answer to any of these. Sorry.
Lol....that's freaking awesome! On a side note, I liked Richard Marx "hold onto the night".
ReplyDeleteI like pretty much everything from those first 3 albums. After that, he started writing too many slow songs. I like his ballads, but his last couple of albums had almost nothing uptempo.
DeleteThanks for sharing. I was 14 at the time, staying up too late when I had to go to school the next morning. It was extremely awkward...I also recall hearing a lot of swearing though, guess I could be wrong. Funny to hear someone telling this story 26 years later!
ReplyDeleteDid you record that episode? I started recording when I realized Richard wasn't kidding around so I only have about the second half of the show.
ReplyDelete